Set designer
Set designers create the settings and backdrops for commercials, television, theatre and films.
In this guide
What you'll do
Day-to-day tasks
As a set designer, you could:
- read scripts and discuss the director's vision for the production
- research details that will go into the set design
- work closely with costume, make-up, props, camera and lighting teams
- design scale models to show how sets will look, and make refinements
- oversee the building of sets by your team
- create digital scenery to project onto stage and set backdrops
- make sure sets are built on time and to an agreed budget
Working environment
You could work in a theatre, in an office, on a film set, at a film studio or in a creative studio.
Your working environment may be physically demanding and outdoors some of the time.
Career path and progression
With experience, you could become a senior set designer or production designer. You might also move to working on larger film, TV and theatre productions.
Set designers often work freelance, so making and developing good contacts in your particular field is important for career progression.
What it takes
Skills and knowledge
You'll need:
- knowledge of the fine arts
- design skills and knowledge
- to be thorough and pay attention to detail
- the ability to use your initiative
- the ability to work well with others
- the ability to come up with new ways of doing things
- the ability to accept criticism and work well under pressure
- excellent verbal communication skills
- to be able to use a computer and the main software packages confidently
Related subjects
Most relevant
- Art and Design - Set designers draw on strong visual skills to create the look and feel of environments for stage, film, and TV. They sketch concepts, choose colour palettes, and design detailed scale models that bring a director's vision to life.
- Design and Technology - Set designers build scale models, select materials, and oversee the physical construction of sets. Understanding how structures are built, how materials behave, and how to solve practical design problems is central to the job.
- Drama - Set designers read and interpret scripts to understand the mood, period, and setting of a production. Working closely with directors and performers means they need a strong understanding of how a set supports storytelling and performance.
- Film Studies - Set designers working in film and television need to understand how their environments will appear on screen – how camera angles, lighting, and mise-en-scène combine to create atmosphere. Film Studies helps them see how production design supports narrative, from colour palettes to spatial layouts that guide blocking.
Also relevant
- Physics - Set designers need to ensure that the structures they design are safe and stable, which involves understanding forces, load-bearing, and the properties of different materials. This is especially important when designing large or complex sets that actors and crew will work on.
- Mathematics - Set designers work with scale drawings, measurements, and budgets on every project. Calculating dimensions accurately and managing costs are essential when translating a small model into a full-sized set that fits the stage or studio space.
- History - Set designers often research specific historical periods to create authentic-looking environments for period dramas and productions. Understanding architecture, furniture styles, and everyday life in different eras helps them design sets that feel convincing and accurate.
- Computer Science - Set designers increasingly create digital scenery and use 3D modelling software to visualise and refine their designs before anything is built. Understanding how these tools work at a deeper level helps them produce more sophisticated digital backdrops and projections.
- English Literature - Set designers analyse scripts in detail to understand themes, symbolism, and the world the writer has created. A strong ability to interpret texts helps them make design choices that reflect the deeper meaning of a production.
How to become
You can get into this job through:
- a university course
- a college course
- an apprenticeship
- working towards this role
You can study for a higher national diploma or degree in a relevant subject, like:
- fine art
- interior design
- architecture
- 3D design
- theatre design
You could also do a course in performing arts production or design for film and television at some universities, colleges and drama schools.
Entry requirements
You'll usually need:
- 1 or 2 A levels, or equivalent, for a higher national diploma
- 2 to 3 A levels, or equivalent, for a degree
More Information
You could do a creative course at college to learn some of the skills you'll need to get a trainee position.
Courses include:
- production arts practice
- art and design
- photography
- interior design
Entry requirements
Entry requirements for these courses vary.
More Information
You could apply to do a Scenic Artist Level 3 Advanced Apprenticeship, or Scenic Construction Technician Level 3 Advanced Apprenticeship.
These can take around 2 to 3 years to complete and are a mix of workplace training and off-site study.
Entry requirements
You'll usually need:
- 5 GCSEs at grades 9 to 4 (A* to C), or equivalent, including English and maths, for an advanced apprenticeship
More Information
You could get a junior position with a company and work your way up through training and promotion.
For example, you might start as a:
- set designer's assistant
- art department trainee
- assistant prop maker
- TV or film production runner
You'll find it useful to build a portfolio of your design work to show potential employers what you can do.
You can use examples from being involved in:
- student theatre or film
- local amateur or community theatre
- low budget independent films
Career tips
If you're aged between 16 and 30 and want to learn more about backstage careers in theatre, you could attend workshops and talks run by organisations like TheatreCraft.
Further information
You can find out more about working in television, theatre and film from:
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